One Million Dollar Challenge

When working on the James Randi Educational Foundation One Million Dollar Paranormal Challenge, the number one question I’m asked is, “How do you find these people?” And the answer is, they find us.

Basically, they need to state their claim on our official application, send us a letter of recommendation (If you claim you can dismiss gravity, you need to have a letter from a physicist saying that he can’t explain what you’re doing.), a piece of publicity about their power (and not a self-published book!), or a video of their power (and we vary rarely get these). All of this needs to be notarized, and then they mail it in to our offices. Simple, right?

Apparently not, because the majority of our applications are incomplete, which often inadvertently works out in our favor.

Because you get some crazy claims, and it’s not our job to say, “That’s impossible; you’re stupid!” That’s just not accomplishing anything for the applicant, or for our skeptic movement.

And you can’t say, those voices aren’t demons, they’re perhaps symptoms of a mental illness. MDC is about testing paranormal claims, not telling crazy people that they’re crazy.

So fortunately for the sake of tact we can dismiss these claims saying, sorry, but you don’t have all of the right documentation… We give them a 60 day document hold, and very rarely hear back.

Which is kind of too bad, because often I’d really like to write back and start asking them questions… Like we got this one guy, “I’ve seen several supernatural things and I was wondering if it would be included in your contest to give me a lie detector test to see if I was telling the truth and get the million bucks?”

Ok, 1, polygraphs aren’t reliable, and even if we used one, all it would prove is if you honestly believe that you say these supernatural things… And what are these supernatural things, even? And pretty much no matter what they would be, we run into another problem… Say it’s ghosts. And if we prove he saw a ghost, that only works on the assumption that ghosts exist. So whoever proved that would get the million dollars… You can’t win, guy!

So you get these seemingly wacky claims, and you’ve got to figure out what they’re saying or trying to say… And that’s the real fun in this job. I studied philosophy at UCLA with an emphasis in causation. I spent ten weeks on a term paper about two sentences of Frege, so I looooove sinking my teeth into these applications. It’s like this sentence could mean so many things!

I understand that it’s easy to write it off, saying, “Whatever, the guy just wrote it without thinking. He’s crazy, anyway…” But no, I take them very seriously.

Ideally we find someone who actually has these powers. That’d be amazing… for humanity. But for all practical purposes, the Million Dollar Challenge is basically saying, “Calling all charlatans! Calling all quacks!” So we can’t scoff when they actually come.

And if they’re taking this Challenge seriously, and if we’re taking this Challenge seriously, which everyone should since we’re dealing with one million dollars, then we need to take their application seriously.

Besides the million-dollar aspect of the Challenge, the more important point is education. People realizing, “Oh, if this is the sort of testing, maybe I can’t or shouldn’t cheat, “Or maybe these voices in my head aren’t god.”

By not laughing off their emails, and taking them seriously, at least on paper, we’re able to point out the holes in his “claim,” and explain why testing his claim, as is, would be impossible. While they most likely shrug it off, there’s still a chance that they read the email, and take in what we were saying. Maybe now they won’t be so hasty not only in their analysis of their experiences, but also in their analysis of how to interpret their experiences.

So you’ve got to figure out, what’s the claim? Sometimes you can find more than one potential claim in an application. Those are really fun! If that’s the case, which it is most of the time, I write down every option, and try to parse it down to 1-2 sentences.

Then you look and see if there are any glaring problems inherent in the claim. And if there are big problems, should we test is? Can we test it? “I will live if I jump off the Golden Gate Bridge.” Yeah, no, we shouldn’t test that… We’re not testing that. “I am the second coming of Christ,” sorry, but I don’t think we can test that. Sorry sir, but the Bible just ain’t science.

But I still get to reply to those people, and I’ll get to that in a minute.

Ok, so assuming the claim is testable, you get to move on to the best part, my favorite part. Because obviously, if it’s testable in theory, you’re still going to need a lot more information before you can dig into designing protocol.

So you need to find out what their claim actually means. And if they’ve posed multiple potential claims, and you’re not sure what it is, here’s where you ask that, too. And sometimes you may think they’re claiming one thing, but they’re really claiming something else. Remember whom you’re dealing with.

And then you need to find out the scope of their claim… What does it entail? Can they do it in a box, in a boat, in a house, with a mouse? Here’s where you get to ask all your nitty-gritty questions.

And the nittier and grittier the questions are, the better, because we need to nail them down on every last detail in order to create protocol. Because protocol has to encompass each and every finer point of their claim in order to ensure that we’re conducting the most thorough and scientific test.

What if the claim were “I can make people fall asleep!” Um, what’s the timeframe there? Can you do it immediately or over the course of six hours? Is there any particular time of day your powers work, i.e. from 10pm on? Or can you do this at any time?

And most applicants will be wormy and vague, because they don’t know, don’t care, or want to keep their options loose so they can cheat. It’s our job to keep them on track. And for better or for worse, I’ve had quite a few applicants simply stop replying to me, presumably because they weren’t quite up to this sort of highly specific back and forth. For the philosopher in me, that’s a source of pride. Especially since I’m anything but an asshole in my correspondence.

Because being an asshole would just be too easy. Not to mention, taking these applicants really seriously, as I discussed earlier, it’s a lot more effective in exposing their ridiculousness. Of course they’re more likely to listen and think about what I’m saying if they don’t feel attacked… And as I also said earlier, one of our objectives is education.

But to a more subtle point, I think that a super formal tone HIGHLIGHTS the ridiculousness. Some of the funniest Monty Python sketches work because you’ve got these serious businessmen doing silly things. The dissonance is a riot! It’s the same with your email: a formal tone saying silly things.

“Dear Sir, how did you initially come to postulate that you would be able to survive a jump off the Golden Gate Bridge?” “When you use the phrase, ‘Second Coming,’ are you referring to the description in the Book of Acts or Revelation?”

Ok, so that’s kind of overly pedantic. But the point is, when you’re formal, friendly, and polite, there’s a sharper contrast better than responding like an asshole.

And maybe it’s just my own sadistic pleasure to sit there and craft the most disgustingly polite ways to say, “For the love of Dawkins and all things holy! What does that even mean?” But that is the fun of it… And what was necessary to complete prior to creating our protocol. And I relish every moment.

Magi-Whirl

I got back from Washington DC earlier this week, as I had been lecturing and performing at Magi-Whirl, which is put on by a prominent ring of the International Brotherhood of Magicians.

They had asked me to speak about my career, starting from when I first got interested in magic, and eventually became the youngest Junior Member of the Magic Castle… All the way to being in BeLIEve and the shows that ensued thereafter. I did a Q&A after my talk, and had a great time communing with my fellow magicians in attendance.

That night I performed in their gala show, where I did some pieces of mental magic I’ve had in development for some time. It was a blast, and I really enjoyed perfoming things the magic community hasn’t really seen me do before.

Pluuus, I got a signed Dell O’Dell book. A total gem! Here are some photos from the lecture, of what I wore for the show, and Magical Moments:

NYC and the 109th Salute to Magic

I returned from NYC late last night, and had a whirlwind of a trip. I got to visit a city I love, catch up with lots of friends, and emcee and perform in the Society of American Magician’s 109th Salute to Magic show. It’s the longest running annual magic show in the US, and was an honor to be a part of it. We had an amazing line-up, and after working on mostly TV-related projects recently, it was refreshing to be back on a big stage.

I also got to see Basil Twist’s “Symphonie Fantastique,” which was incredibly thrilling. I first read a profile in the New Yorker about his insanely brilliant puppet work while I was in high school, and became obsessed. So to be able to see one of his signature shows was a dream come true. I got to tour the backstage afterward and even meet Basil. And I was a stammering fan girl for sure... Kind of embarrassing, but the whole thing was amazing.

The show is accompanied by Christopher O’Riley, whose broadcasts and music I listen to regularly, and being able to meet him and discuss his role in the show and his work, in general, was crazy. I spent quite a bit of time with him and some of the puppeteers, and picking their brains about performance art was awe-inspiring.

All in all, a phenomenal trip, but I’m happy to be back at home in LA with my bird (who’s very happy to see me [and vice-versa]) to film more videos, which will be up soon!

March Favorites: OOTD Edition

I was painfully uncool in high school, and like so many of us, I got bullied. And I certainly got bullied more if I came to school dressed in cute fashion. So I opted out. I basically dressed in camping clothes from REI, and figured it was just easier that way.

But when I got to college, a new world opened up, as I started to care a lot less about outside opinions. I was just over it. So I got more playful with my style, and what started out as simple florals and black berets turned into sparkles and fur. I was coming into my own, and I wasn’t afraid of it.

I wound up leaving UCLA early to go to Vegas and join Criss Angel’s TV show, which turned into years of live shows. Long story short, while being in the shows was an amazing experience that I wouldn’t trade for anything, I wound up having to swap my sequins for spikes and my lamé for leather.

However, after the injury that forced me to leave the shows (I tore my achilles in the upside-down straitjacket escape), I’ve started to come back to the things I treasure and adore: rhinestones, denim, faux fur, and lots of pink. And at the same time, I absolutely can’t resist a good Slayer tee… But I fail to see any dissonance. It’s my taste, and it’s what makes me me.

And when I concoct an outfit that resonates with me, I just want to wear it over and over. I have to force myself to switch it up! So here are four of my current favorite #OOTD’s that are all I want to wear:

Vaudeville Past

While I don’t exactly come from a family of performers, I do have a bit of a performance linage. My mother was fourth in the nation in figure skating, which I literally JUST found out… Way to keep the cool stuff a secret, MOM! But anyway, her paternal grandparents were in Vaudeville, which was a live variety theater spectacular.

In the Roaring Twenties, they were on the Pantages circuit, one of the largest and most influential in North America. I always loved hearing their stories as told by family members while I was growing up.

My great-grandfather, Merrill, was the lead trombone player in the band, and my great-grandmother, Sylvia, was a dancer. Her most famous act was where she would do acrobatics on the back of a little person who rode a unicycle. Yeah. I know, right?

While I was in Criss’ Cirque du Soliel show, my grandfather passed away, and I inherited the Vaudeville photo albums. They were tattered and falling apart, and so when I was backstage after my act, I set about restoring them.

Here are some of my favorites:

Magic Jewels

Janie was the name of my great-grandmother, i.e. my mom’s mom’s mom, and she was quite the character. With a vibrant personality ripe from Texas, she would be adorned in fur and jewels even in the thick of summer. It was just her taste, and I admire her commitment!

When I started performing, my mother slowly began handing down some of Janie’s pieces to pair with my costumes (although her real jewels are in a safe). Displayed over antique magic books, here are the ones I like to make a habit of wearing: